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CHAPTER

Hybrid Themes

4

Let's Practice 4.5
Beethoven, Rondo for Piano in G, Op. 51, No. 2
1–8

  1. antecedent phrase; consists of a 2-m. basic idea followed by a contrasting idea leading to a weak cadence (HC)
  2. it does not bring a return of the basic idea in mm. 5–6
  3. continuation; fragmentation, model-sequence technique, harmonic acceleration, ends with a PAC

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