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Deviations & Framing


Let's Practice 5.8
Beethoven, Piano Sonata in D, Op. 10/3
fourth movement, 1–9

  1. antecedent
  2. no, it only brings the opening motive, which is then sequenced
  3. deceptive cadence (m. 7)
  4. yes, at first the continuation phrase (mm. 5–7) is compressed into three measures, but then, because of the deceptive cadence, it is further extended due to the repeat of prior continuation and cadential material
  5. hybrid (antecedent + continuation)

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