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CHAPTER
Small Ternary
7
Musical Examples
Supplementary Work
Listening Quizzes
Answers to Questions
Let's Practice 7.4
Beethoven, Piano Sonata in F minor, Op. 2, No. 1
second movement, 1–16
• Let's Practice 7.3
• Let's Practice 7.4
• Short Answer
• True or False
• Multiple Choice
m. 8, HK: PAC to end A section; mm. 13–14, return of b.i. to mark beginning of A' section; B section thus stands (on the dominant) between A and A'
dominant prolongation
standing on the dominant
no
it brings back the opening b.i. (harmonically varied), followed by cadential idea, thus making a 4-m. consequent
so as to avoid making it sound "half-cadential," as it does in mm. 1–2 (see discussion of Example 4.16 in chap. 4)
«back to example 7.4»