- T
- T
- F, it is usually identical to the minuet proper (which is why the da capo is rarely written out)
- F, the articulation of a subordinate key in minuet form is sometimes reserved for the B section (analogous to the development section of sonata form)
- T
- F, main-theme function is sometimes expressed exclusively by initiating tonic prolongational passages that do not lead to a cadential function in the home key
- T
- T
- F, the deceptive cadence is typical
- T, because it is usually repeated along with the contrasting middle and recapitulation