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CHAPTER

Minuet/Trio Form

18

 
True or False
 
  1. T
  2. T
  3. F, it is usually identical to the minuet proper (which is why the da capo is rarely written out)
  4. F, the articulation of a subordinate key in minuet form is sometimes reserved for the B section (analogous to the development section of sonata form)
  5. T
  6. F, main-theme function is sometimes expressed exclusively by initiating tonic prolongational passages that do not lead to a cadential function in the home key
  7. T
  8. T
  9. F, the deceptive cadence is typical
  10. T, because it is usually repeated along with the contrasting middle and recapitulation