The website for the Inside.Out project is coming together: http://insideout-project.com Have a look here!
Tonight will be the Premiere of my piece “6 Fragments on One Act of Cleaning a Piano”, for 2 pianists and electronics. It uses a custom videoscore (for both instrumental and electronics notation) and vibrational transducers fixed to the soundboard of the piano. I’m glad to have the piece performed by outstanding pianist-composers Chris Goddard and Charles Zoll. Below are […]
Our student award project on Haptic Notifications for Ensemble Performance is currently featured on the website of the Centre for Interdisciplinary Research in Music Media and Technologies as “Research Spotlight”: http://www.cirmmt.org/activities/newsletter USING HAPTIC NOTIFICATIONS FOR POLYRHYTHMIC/METRIC SYNCHRONIZATION IN ENSEMBLE PERFORMANCE Marcello Giordano,Fredrick Gran, Marlon Schumacher, CIRMMT Supervisors: Sean Ferguson, Philippe Leroux, Marcelo Wanderley In our […]
New article describing one of my OpenMusic libraries (http://sourceforge.net/p/omprisma/) in the latest issue of the Csound journal. Thanks, Dave Phillips! http://csounds.com/journal/issue20/openmusic.html
From: http://www.cirmmt.org/activities/newsletter/past/september12 A VIBROTACTILE SYNTHESIS FRAMEWORK FOR HAPTIC FEEDBACK IN LIVE-ELECTRONIC MUSIC PERFORMANCE The goal of this project is the development of a vibrotactile synthesis framework to provide performers with information about the internal state of a live-electronics system. We propose to exploit the haptic modality as an alternative channel for information display. The use of […]
Our paper “Physical and Perceptual Characterization of a Tactile Display for Live-Electronics Performance” just won the Young Researcher Best Paper Award of the Sound and Music Computing Conference, 2014! Congrats to Emma Frid and everyone involved!
This is a DMI developed together with Graham Boyes within a Music Technology course at McGill.
As a physically-informed gestural controller the primary method of interaction involves the manipulation of a vibrating mechanism consisting of stretch sensors (a mechanical system). This system may be considered a hybrid between a controller and a sound generator. That is, the sensors exhibit oscillatory behaviour, however this is typically below the audible range. In order to preserve a faithful image of the vibrational mechanism (the interaction of stretch sensors) we adopt an alternate approach to gesture acquisition based on the analysis of an audio signal.
A major design goal is to reinforce the physical interaction between performer and instrument, making use of the system’s inherent visual, tactile and kinesthetic feedback to establish a higher degree of control intimacy. Another criterion is the integrality of control within the system. In fact, we are not only sensing the gestures of the human performer, but rather the performer-system- interaction. However, it is also possible to selectively control separate parameters within certain boundaries.
Emma Frid, master student at KTH Stockholm, Department of Computer Science and Communication successfully defended her masters thesis titled “Perceptual Characterization of a Tactile Display for Live Electronic Music Performance”. Congratulations, Emma! Find it here: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-159245
linux-sound.org features a nice review article on OM-SoX by Dave Phillips. “The presentation is excellent and the information content is high-quality throughout.” Thanks, Dave! http://linux-sound.org/omsox-review/omsox-review.html