Peer-reviewed Journals

Schumacher, M., & Wanderley, Marcelo M. (2016). Integrating Gesture Data in Computer-Aided Composition: Paradigms for Representation, Processing and Mapping. Journal of New Music Research, DOI: 10.1080/09298215.2016.1254662

Schumacher, M., & Bresson, J. (2010). Spatial Sound Synthesis in Computer-Aided Composition. Organised Sound, 15(03), pp. 271–289.

Books / Book Chapters

Schumacher, M. (2016) A Framework for Computer-Aided Composition of Space, Gesture, and Sound. Conception, Design, and Applications. PhD Thesis, McGill University.

Schumacher, M. (2016) Atomic Sound Modeling on a Computer-Controlled Grand Piano. The OM Composer’s Book: Volume 3 (pp. 341–359). Éditions Delatour France / IRCAM—Centre Pompidou.

Peer-reviewed Conference Proceedings

Malloch, J., Schumacher, M., S. Sinclair, Wanderley, M. M (2018). The Digital Orchestra Toolbox for Max. Proceedings of the Conference on New Interfaces for Musical Expression, Blacksburg, VA, USA.

Garcia, J., Bresson, J., Schumacher, M., Carpentier, T., & Favory, X. (2015). Tools and Applications for Interactive-Algorithmic Control of Sound Spatialization in OpenMusic. Presented at the inSONIC2015, Aesthetics of Spatial Audio in Sound, Music and Sound Art, Karlsruhe, Germany.

Frid, E., Giordano, M., Schumacher, M., & Wanderley, M. M. (2014). Physical and Perceptual Characterization of a Tactile Display for a Live-Electronics Notification System (pp. 1–7). Presented at the Joint International Computer Music, Sound and Music Computing Conference, Athens, Greece.

Schumacher, M., Giordano, M., Wanderley, M. M., & Ferguson, S.. Vibrotactile Notification for Live Electronics Performance: A Prototype System. Proceedings of the 10th International Symposium on Computer Music Multidisciplinary Research (CMMR), pp. 516-525, 2013.

Cabrol, F., McGuffin, M. J., Schumacher, M., & Wanderley, M. M. GenSession: a Flexible Zoomable User Interface for Melody Generation. Proceedings of the 10th International Symposium on Computer Music Multidisciplinary Research (CMMR), pp. 542-553, 2013.

Bresson, J., & Schumacher, M. (2011). Representation and interchange of sound spatialization data for compositional applications. Presented at the International Computer Music Conference, Huddersfield, UK.

Bresson, J., Agon, C., & Schumacher, M. (2010). Représentation Des Données De Contrôle Pour La Spatialisation Dans OpenMusic (pp. 1–6). Presented at the Journées d’Informatique Musicale, Rennes, France.

Schumacher, M., & Bresson, J. (2010). Compositional Control of Periphonic Sound Spatialization. Presented at the 2nd International Symposium on Ambisonics and Spherical Acoustics, Paris, France: Citeseer.

Unpublished Technical Reports and Documentations

Schumacher, M. (2009). Multiplexing and Demultiplexing of Control Signals by means of the STFT (pp. 1–7).

Schumacher, M. (2009). OMAMBI – Symbolic Control of Spatialization with OpenMusic, pp. 1 – 39. Music Technology Area, McGill University.

Workshop/Symposium Presentations

Schumacher, M., Giordano, M., & Gran, F. Using Haptic Notifications for Polyrhythmic/metric Synchronization in Ensemble Performance. CIRMMT General Assembly, 2014.

Schumacher, M. Representation and Processing of Gesture Data in Computer-Aided Composition. International EFFICACe workshop. Montreal, 2015.

Schumacher, M. A Framework for Computer-Aided Composition of Spatial Sound. Ircam Forum Workshops, Paris 2013.

Schumacher, M., Giordano, M. A Vibrotactile Synthesis Framework for Haptic Feedback in Live-Electronic Music Performance. CIRMMT General Assembly, 2012.

Bresson, J., & Schumacher, M. (2010). SDIF-based streaming/storage solution for spatial sound scene description. Presented at the 1st International Symposium on GDIF / SDIF.

Schumacher, M. Composing the Inner Space of Sound. Ircam Forum Workshops, Paris 2009.

Schumacher, M. Nouvelles bibliothèques pour OpenMusic. IRCAM Seminaire R&D. Paris, 2009.

Schumacher, M. Composer le son dans l’espace : de la spatialisation à la synthèse sonore spatialisée. IRCAM Seminaire R&D. Paris, 2009.