Corpus-Based Sound Modelling for Computer-aided Composition.   Overview OM-Pursuit is a library for dictionary-based sound analysis/synthesis methods in OpenMusic. Parametric sound representations have since long served as conceptual models in composition contexts (see e.g. the French spectralist school). Today there are a number of software tools allowing composers to derive symbolic data from continuous sound phenomena, such […]

What is the word   … was created in 2008 during my program in music theory/computer music as a study for purely deterministic, rule-based algorithmic composition. Driven by a fascination of dialectic processes, this acousmatic work is characterized by an extreme reduction of sound materials, being composed exclusively from synthesized pure tones and algorithmically-transformed speech […]

Spatial Sound Synthesis Framework for Computer-aided Composition.   Overview OMPrisma is a library for spatial sound synthesis in the computer-aided composition environment OpenMusic. In addition to working with pre-existing sound sources (i.e. sound files) it permits the synthesis of sounds with complex spatial morphologies controlled by processes developed in OpenMusic in relation to other sound […]

The Final Project for this course consists of either a practical or a theoretical work. You may choose from one of the two options below. 1. Realization of Project in OM/OMPrisma/LISP/Csound (continuation of SPAT-1 project with permission of instructor) a) choose a project from the list provided by the instructor on the Ilias server …or… […]

The Final Project for this course consists of either a practical or a theoretical work. You may choose from one of the two options below. 1. Realization of Project in OM/OMPrisma/LISP/Csound a) choose a project from the list provided by the instructor on the Ilias server …or… b) develop an existing application (commercial, scientific, etc.) […]