Corpus-Based Sound Modelling for Computer-aided Composition. Overview OM-Pursuit is a library for dictionary-based sound analysis/synthesis methods in OpenMusic. Parametric sound representations have since long served as conceptual models in composition contexts (see e.g. the French spectralist school). Today there are a number of software tools allowing composers to derive symbolic data from continuous sound phenomena, such […]
What is the word … was created in 2008 during my program in music theory/computer music as a study for purely deterministic, rule-based algorithmic composition. Driven by a fascination of dialectic processes, this acousmatic work is characterized by an extreme reduction of sound materials, being composed exclusively from synthesized pure tones and algorithmically-transformed speech […]
Spatial Sound Synthesis Framework for Computer-aided Composition. Overview OMPrisma is a library for spatial sound synthesis in the computer-aided composition environment OpenMusic. In addition to working with pre-existing sound sources (i.e. sound files) it permits the synthesis of sounds with complex spatial morphologies controlled by processes developed in OpenMusic in relation to other sound […]
Common LISP Steele, Guy L. Common LISP: the language. Digital press, 1990. Touretzky, D. Common LISP: a gentle introduction to symbolic computation. Carnegie Mellon University, 1990. Seibel, P.: Practical Common Lisp, New York, Heidelberg 2005. Pitman, K. et al. Common Lisp HyperSpec, Online-Publikation, 1996 Begleitend Cooper, D., Jr. (2000). Basic Lisp Techniques. Rakaposhi. Norvig, P. (1992). Paradigms of […]
Visuelle Programmierung der Raum-Klangsynthese mit OpenMusic 1 Dozent: Marlon Schumacher Ort: MUT 206/207 Termine: Donnerstag 16.00 – 17.30 Uhr Website: Course Webpage Tutor: TBA Sprechstunden: Nach Vereinbarung Beschreibung: (90 min. Seminar) Perzeptuelle und technische Grundlagen. Methoden zur musikalischen Kontrolle von Spatialisierungsalgorithmen. Software: Auf der Downloads page. Links: Ircam Spatialization Project for Computer-aided Composition Relevante Publikationen Kursbegleitende Materialien: Siehe Literaturliste Medien: Studenten dürfen (und […]
Common LISP Steele, Guy L. Common LISP: the language. Digital press, 1990. Touretzky, D. Common LISP: a gentle introduction to symbolic computation. Carnegie Mellon University, 1990. Seibel, P.: Practical Common Lisp, New York, Heidelberg 2005. Pitman, K. et al. Common Lisp HyperSpec, Online-Publikation, 1996 Begleitend Cooper, D., Jr. (2000). Basic Lisp Techniques. Rakaposhi. Norvig, P. (1992). Paradigms of […]
The Final Project for this course consists of either a practical or a theoretical work. You may choose from one of the two options below. 1. Realization of Project in OM/OMPrisma/LISP/Csound (continuation of SPAT-1 project with permission of instructor) a) choose a project from the list provided by the instructor on the Ilias server …or… […]
The Final Project for this course consists of either a practical or a theoretical work. You may choose from one of the two options below. 1. Realization of Project in OM/OMPrisma/LISP/Csound a) choose a project from the list provided by the instructor on the Ilias server …or… b) develop an existing application (commercial, scientific, etc.) […]
Integra is a EU-funded art/research project (more information below) Description from the Integra II description: Integra brings together six research centres and five new music ensembles and is led by Birmingham Conservatoire at Birmingham City University in the UK. We are developing a new software environment to make music with live electronics, modernising works that use old technology, commissioning […]