Corpus-Based Sound Modelling for Computer-aided Composition. Overview OM-Pursuit is a library for dictionary-based sound analysis/synthesis methods in OpenMusic. Parametric sound representations have since long served as conceptual models in composition contexts (see e.g. the French spectralist school). Today there are a number of software tools allowing composers to derive symbolic data from continuous sound phenomena, such […]
What is the word … was created in 2008 during my program in music theory/computer music as a study for purely deterministic, rule-based algorithmic composition. Driven by a fascination of dialectic processes, this acousmatic work is characterized by an extreme reduction of sound materials, being composed exclusively from synthesized pure tones and algorithmically-transformed speech […]
Spatial Sound Synthesis Framework for Computer-aided Composition. Overview OMPrisma is a library for spatial sound synthesis in the computer-aided composition environment OpenMusic. In addition to working with pre-existing sound sources (i.e. sound files) it permits the synthesis of sounds with complex spatial morphologies controlled by processes developed in OpenMusic in relation to other sound […]
Common LISP Steele, Guy L. Common LISP: the language. Digital press, 1990. Touretzky, D. Common LISP: a gentle introduction to symbolic computation. Carnegie Mellon University, 1990. Seibel, P.: Practical Common Lisp, New York, Heidelberg 2005. Pitman, K. et al. Common Lisp HyperSpec, Online-Publikation, 1996 Begleitend Cooper, D., Jr. (2000). Basic Lisp Techniques. Rakaposhi. Norvig, P. (1992). Paradigms of […]
Common LISP Steele, Guy L. Common LISP: the language. Digital press, 1990. Touretzky, D. Common LISP: a gentle introduction to symbolic computation. Carnegie Mellon University, 1990. Seibel, P.: Practical Common Lisp, New York, Heidelberg 2005. Pitman, K. et al. Common Lisp HyperSpec, Online-Publikation, 1996 Begleitend Cooper, D., Jr. (2000). Basic Lisp Techniques. Rakaposhi. Norvig, P. (1992). Paradigms of […]
The Final Project for this course consists of either a practical or a theoretical work. You may choose from one of the two options below. 1. Realization of Project in OM/OMPrisma/LISP/Csound (continuation of SPAT-1 project with permission of instructor) a) choose a project from the list provided by the instructor on the Ilias server …or… […]
The Final Project for this course consists of either a practical or a theoretical work. You may choose from one of the two options below. 1. Realization of Project in OM/OMPrisma/LISP/Csound a) choose a project from the list provided by the instructor on the Ilias server …or… b) develop an existing application (commercial, scientific, etc.) […]
Symbolic Audio Manipulation and Functional Batch Processing. OM-SoX is a free, cross-platform (Windows, MacOS, Linux), open source library for symbolic audio manipulation, analysis and batch processing, integrated in the computer-aided composition (CAC) environment OpenMusic. OM-SoX implements a structured framework of classes and functions comprising > 50 audio processors. Using visual programming tools, dsp-topologies can be constructed and related to […]
This piece is an experimental reflection on the predisposition of the human mind for conceptualizing the world through meanings and relations in order to make sense of perceptual experiences. It was composed and recorded in spring 2013 at Ircam (Paris) as part of a larger scale art project. Source material is an acoustic recording […]