Programme
(Download as a .doc file)
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Friday, March 9th - Clara Lichtenstein Recital Hall (C209) |
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16:00 |
Welcome and Opening Remarks |
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Classical Connections - Session Chair: Jean-Philippe Soucy |
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16:00 |
Meghan Goodchild, McGill Developing the Development: The Evolution of Formal Functions in J.C. Bach
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16:30 |
Jennifer Roemer and Katie Womack, Southern Methodist University Lecture-Recital: The Clementi Connection
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17:30 |
~Wine and Cheese Reception~
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Saturday, March 10th - Clara Lichtenstein Recital Hall (C209) |
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Processing Music - Session Chair: Michel Vallières |
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9:30 |
Bruno Gingras, McGill Improved Score-performance Matching Using Both Structural and Temporal Information from MIDI Recordings
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10:00 |
Jason Ray, University of Ottawa A Content Analysis of Musical Notation in Ten Contemporary North American Piano Method Book Primers
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10:30 |
Alison Conard, Temple University The Instant We Hear: A Microgenetic Approach to the Study of Music
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11:00 |
~Break~ |
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Two to Tango - Session Chair: Dana Gorzelany-Mostak |
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11:15 |
Emily J. McManus, Minnesota Embodying Modernity: Intersections of Nostalgia, Tradition and Innovation in the Twin Cities Tango Community
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11:45 |
Jamshed Turel, McGill Stylizing a Tango: Intertextuality and Audio-Visual Relationships in Chaplin's City Lights
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12:15 |
~Lunch~ |
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Keynote Presentation - Session Chair: Prof. Jonathan Wild |
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13:30 |
Pierre Daniel Rheault, President of SOCAN Multimedia Music: A Genre Asking for Immediate Help
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14:30 |
~Break~ |
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Religion, Politics, and Music - Session Chair: Jane Hatter |
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15:00 |
Patrice Nicolas, Université de Montréal Jacotin (c.1495-c.1556) and the Cult of St. Michael
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15:30 |
Jeremy Leong, University of Wisconsin-Madison A Musical Reflection: Jewish Exiles in Republican China
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16:00 |
Xenia Pestov, McGill Lecture-Recital: Form and Notation: The Piano Miniature of the Russian Avant-garde
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Sunday, March 11th - Room C201 |
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Analyzing Off the Canon - Session Chair: Steven Cannon |
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10:00 |
Daphne Tan, McGill Symmetry and Tonal Design: Structural Planning in the Finale of Nielsen's Second Violin Sonata
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10:30 |
Inessa Bazayev, CUNY Graduate Center Voice-leading Symmetries in the Late Works of Alexander Scriabin
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11:00 |
Sebastiano Bisciglia, McGill Interaction of Style, Aesthetic, and Method in Dallapiccola's Tre liriche greche (1942-45)
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11:30 |
~Break~ |
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Seeing Music, Hearing Art - Session Chair: Michael Ethen |
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11:45 |
Stephen Thursby, Florida State University "Lichtmusik" and "Orgies of Darkness": Balancing the Aural and the Visual in the 1903 Mahler-Roller Tristan
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12:15 |
Alexa Woloshyn, University of Western Ontario Constructs of Emotional Continuity in Björk's Music: Multiple Analyses of Homogenic and Medulla
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12:45 |
Emily Adamowicz, University of Western Ontario Impossible Structures: Self-Reflexivity in the Works of Escher, Rea, and Velasquez
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