Programme

(Download as a .doc file)

 

Friday, March 9th - Clara Lichtenstein Recital Hall (C209)

 

16:00

 

Welcome and Opening Remarks

 

Classical Connections - Session Chair: Jean-Philippe Soucy

16:00

Meghan Goodchild, McGill

Developing the Development: The Evolution of Formal Functions in J.C. Bach

 

16:30

Jennifer Roemer and Katie Womack, Southern Methodist University

Lecture-Recital: The Clementi Connection

 

17:30

~Wine and Cheese Reception~

 

Saturday, March 10th - Clara Lichtenstein Recital Hall (C209)

 

Processing Music - Session Chair: Michel Vallières

9:30

Bruno Gingras, McGill

Improved Score-performance Matching Using Both Structural and Temporal Information from MIDI Recordings

 

10:00

Jason Ray, University of Ottawa

A Content Analysis of Musical Notation in Ten Contemporary North American Piano Method Book Primers

 

10:30

Alison Conard, Temple University

The Instant We Hear: A Microgenetic Approach to the Study of Music

 

11:00

~Break~

 

Two to Tango - Session Chair: Dana Gorzelany-Mostak

11:15

Emily J. McManus, Minnesota

Embodying Modernity: Intersections of Nostalgia, Tradition and Innovation in the Twin Cities Tango Community

 

11:45

Jamshed Turel, McGill

Stylizing a Tango: Intertextuality and Audio-Visual Relationships in Chaplin's City Lights

 

12:15

~Lunch~

 

Keynote Presentation - Session Chair: Prof. Jonathan Wild

13:30

Pierre Daniel Rheault, President of SOCAN

Multimedia Music: A Genre Asking for Immediate Help

 

14:30

~Break~

 

Religion, Politics, and Music - Session Chair: Jane Hatter

15:00

Patrice Nicolas, Université de Montréal

Jacotin (c.1495-c.1556) and the Cult of St. Michael

 

15:30

Jeremy Leong, University of Wisconsin-Madison

A Musical Reflection: Jewish Exiles in Republican China

 

16:00

Xenia Pestov, McGill

Lecture-Recital: Form and Notation: The Piano Miniature of the Russian Avant-garde

 

Sunday, March 11th - Room C201

 

Analyzing Off the Canon - Session Chair: Steven Cannon

10:00

Daphne Tan, McGill

Symmetry and Tonal Design: Structural Planning in the Finale of Nielsen's Second Violin Sonata

 

10:30

Inessa Bazayev, CUNY Graduate Center

Voice-leading Symmetries in the Late Works of Alexander Scriabin

 

11:00

Sebastiano Bisciglia, McGill

Interaction of Style, Aesthetic, and Method in Dallapiccola's Tre liriche greche (1942-45)

 

11:30

~Break~

 

Seeing Music, Hearing Art - Session Chair: Michael Ethen

11:45

Stephen Thursby, Florida State University

"Lichtmusik" and "Orgies of Darkness": Balancing the Aural and the Visual in the 1903 Mahler-Roller Tristan

 

12:15

Alexa Woloshyn, University of Western Ontario

Constructs of Emotional Continuity in Björk's Music: Multiple Analyses of Homogenic and Medulla

 

12:45

Emily Adamowicz, University of Western Ontario

Impossible Structures:  Self-Reflexivity in the Works of Escher, Rea, and Velasquez