About the Hutcheons...

The Hutcheons are not siblings, but rather a married couple who have brought their very different professional expertise together with a shared love of opera--itself, arguably, a multi-disciplinary art form. The result has been collaborative interdisciplinary work on medicine, culture, and music drama.

Linda Hutcheon holds the rank of University Professor in the Department of English and the Centre for Comparative Literature at the University of Toronto. She is author of 10 books on critical theory and contemporary postmodern culture in Canada and around the world. She has edited 5 other books on cultural topics, and is associate editor of the University of Toronto Quarterly. In 2005 she won the Canada Council's Killam Prize for the Humanities for scholarly achievement.

Michael Hutcheon is Professor of Medicine at the University of Toronto where he is the Deputy Physician in Chief for Education for the University Health Network. His scientific research publications encompass a number of areas: pulmonary physiology and lung transplantation. He has also published in the fields of medical education and the semiotics of pharmaceutical advertising.

Their work together on the cultural construction of sexuality, gender and disease in opera was first published in a book entitled Opera: Desire, Disease, Death (1996). Their second book, a study of both the real and the represented operatic body entitled Bodily Charm: Living Opera, was published in 2000. They have also published articles in this area in journals such as The Cambridge Opera Journal, Opera Quarterly, and the University of Toronto Quarterly. Their latest collaborative book called Opera: The Art of Dying, was published by Harvard University Press in 2004. It is a study not only of the ubiquitous theme of death in opera, but more importantly, also of how viewing operas can actually help us deal by proxy with our own and our loved ones' mortality--something our culture has not made it particularly easy to do. They are currently working on a new project on later life creativity and "late style" in opera composers.