|
Topics |
Questions & Answers |
|
The
Secrets of Music Theory
Prof. Nicole Biamonte |
2012 |
|
What You
Should Know Before You
Buy That Strad.
Prof. Gary Scavone |
2012 |
|
Lost and
Found in Translation: Playing and Teaching Harpsichord
Music on the Piano
Prof. Ilya Poletaev |
2012 |
|
The Music
of Emily Carr
Prof. Eleanor Stubley |
2012
|
|
Taking
the Mystery Out of Compositional Process
Profs. Julie E. Cumming and Peter Schubert |
2012 |
|
The
Making of La Boheme: From Puccini’s operatic Masterpiece
to a First Ever Schulich School of Music HD DVD Created
by Students and Faculty
Profs. Patrick Hansen and George Massenberg |
2012 |
2011 Topics and Q &A
|
Topics |
|
Talk Jazz
with Rémi!!
Prof. Rémi Bolduc |
|
Voice of
the Violin
Prof. Mark Fewer |
|
Making
Old Things New
Prof. Hank Knox
Q&A |
|
How to
Make a Recording in Three Easy Steps
Prof. Richard King
Q&A |
|
The Twelve Hallelujahs of George and Leonard
or Handel and Cohen Inc.
Prof. Sandy Pearlman |
|
Presence
and Experience
Prof. Shelley Stein-Sacks |
2009 Topics and Q &A
|
Topics |
|
Haydn,
Patriarch of the String Quartet
Prof. Douglas McNabney |
|
The Music
of Joni Mitchell
Prof. Lloyd Whitesell
Q&A |
|
Success
in Music, Success in Life: Reflections on the Career
Path of a Professional Musician
Prof. Jens Lindeman |
|
Music
Research and Information Literacy: Navigating the
Virtual Library
Prof. Cynthia Leive |
|
The Evolution of the Percussion Ensemble: A Striking
Story
Profs Aiyun Huang and Fabrice Marandola
Q&A |
|
Sound
Morphing (and other alternatives to castration: voice in
the making of the film Farinelli
Prof. Philippe Depalle |
|
Fast,
cheap, and out of control: the remonitization of music
and other promiscuously transportable media objects
Prof. Sandy Pearlman |
2008 Topics and Q
&A
|
Topics |
|
Riots in
the Concert Hall: Musical Controversies
Prof. Lloyd Whitesell
Q&A |
|
Flams,
Paradiddles and Other Striking Ideas: Fundamentals of
Playing Percussion Instruments
Prof. Aiyun Huang & Prof.
Fabrice Marandola |
|
What to
Listen For In...Schoenberg
Prof. Don McLean
Q&A |
|
A
Composer, His Dedicatee, Her Instrument, and I: A
Complete Recording of Haydn's Keyboard Works
Prof. Tom Beghin |
|
Beethoven's Late Piano Works
Prof. Anton Kuerti |
|
Autonomous Process: From Breitkopf of Leipzig(1754) to
the Evil Twin of the Music Business (2004)
Prof. Sandy Perlman |
2007 Topics and Q
&A
|
Music
Boot Camp
Prof. Reisa Lipszyc
Q&A |
|
Inside a
Rehearsal
Prof. Julian Wachner |
|
The Art
of Music Recording
Prof. Martha de Francisco |
|
A
Composer in the Lab, or How I Learned to Stop Worrying
and Love the Computer
Prof. Sean Ferguson |
|
What is
This Thing Called Jazz?
Prof. Gordon Foote
Q&A |
|
What to
Listen For...
Bruckner and Heavy Metal
Prof. Don McLean |
2006 Topics and Q
&A
|
Do You
Hear What I Hear? Stamp Out Jazz Ignorance
Prof. Gordon Foote
Q&A |
|
Recorded
Music: A Bridge of Sound Between
Musicians and Their Audience
Prof. Martha de Francisco
Q&A |
|
What Is
CIRMMT? A Place Where Music, Science and
Technology Thrive
Prof. Stephen McAdams, Prof. Sean Ferguson
Prof. Marcelo Wanderley
Q&A |
|
A View
From the Pit: Introduction to Life as a Professional
Musician
Prof. Abe Kestenberg
Q&A |
|
The
Soundscape of Opera
Prof. Steven Huebner
Q&A |
|
What to
Listen For In...
Prof. Don McLean |
