| Cover and ISBN information |
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ii |
| NIME03 Committees |
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iii |
| Welcome Words |
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iv |
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| Paper Session I |
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| Cormac Cannon, Stephen Hughes, Sile O Modhrain
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EpipE: Exploration of the Uilleann Pipes as a Potential Controller for
Computer-Based Music |
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3 |
| Diana Young, Georg Essl |
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HyperPuja: A Tibetan Singing Bowl Controller |
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9 |
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| Report Session I |
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| Gary P. Scavone |
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THE PIPE: Explorations with Breath Control |
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15 |
| Marije A.J. Baalman |
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The STRIMIDILATOR, a String Controlled MIDI-Instrument |
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19 |
| Scott Wilson, Michael Gurevich, Bill Verplank,
Pascal Stang |
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Microcontrollers in Music HCI Instruction - Reflections on our Switch
to the Atmel AVR Platform |
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24 |
| Tue Haste Andersen |
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Mixxx: Towards Novel DJ Interfaces |
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30 |
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| Report Session II |
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| Nicola Orio, Serge Lemouton, Diemo Schwarz, Norbert
Schnell |
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Score Following: State of the Art and New Developments |
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36 |
| Caroline Traube, Philippe Depalle, Marcelo Wanderley
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Indirect Acquisition of Instrumental Gesture Based on Signal, Physical
and Perceptual Information |
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42 |
| Yoichi Nagashima |
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Bio-Sensing Systems and Bio-Feedback Systems for Interactive Media Arts
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48 |
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| Paper Session II |
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| Ali Momeni, David Wessel |
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Characterizing and Controlling Musical Material Intuitively with Geometric
Models |
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54 |
| Matthew Burtner |
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Composing for the (dis)Embodied Ensemble: Notational Systems in (dis)Appearances |
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63 |
| Sergi Jorda |
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Sonigraphical Instruments: From FMOL to the reacTable* |
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70 |
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| Report Session III |
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| Motohide Hatanaka |
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Ergonomic Design of a Portable Musical Instrument |
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77 |
| Hiroko Shiraiwa, Rodrigo Segnini, Vivian Woo |
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Sound Kitchen: Designing a Chemically Controlled Musical Performance |
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83 |
| Joel Ryan, Christopher Salter |
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TGarden: Wearable Instruments and Augmented Physicality |
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87 |
| David Ventura, Kenji Mase |
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Duet Musical Companion: Improvisational Interfaces for Children |
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91 |
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| Report Session IV |
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| David M Howard, Stuart Rimell, Andy D Hunt |
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Force Feedback Gesture Controlled Physical Modelling Synthesis |
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95 |
| Reynald Hoskinson, Kees van den Doel, Sidney Fels
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Real-time Adaptive Control of Modal Synthesis |
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99 |
| Diana Young, Stefania Serafin |
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Playability Evaluation of a Virtual Bowed String Instrument |
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104 |
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| Paper Session III |
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| Lalya Gaye, Ramia Mazé, Lars Erik Holmquist,
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Sonic City: The Urban Environment as a Musical Interface |
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109 |
| Michael J. Lyons, Michael Haehnel, Nobuji Tetsutani |
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Designing, Playing, and Performing with a Vision-based Mouth Interface
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116 |
| Donna Hewitt, Ian Stevenson |
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E-mic: Extended Mic-stand Interface Controller |
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122 |
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| Report Session V |
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| Tina Blaine, Sidney Fels |
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Contexts of Collaborative Musical Experiences |
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129 |
| Andy Hunt, Ross Kirk |
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MidiGrid: Past, Present and Future |
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135 |
| Loic Kessous, Daniel Arfib |
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Bimanuality in Alternate Musical Instruments |
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140 |
| Paul Modler, Tony Myatt, Michael Saup
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An Experimental Set of Hand Gestures for Expressive Control of Musical
Parameters in Realtime |
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146 |
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| Report Session VI |
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| Teresa Marrin Nakra |
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Immersion Music: A Progress Report |
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151 |
| Matthew Wright, Adrian Freed, Ali Momeni
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OpenSound Control: State of the Art 2003 |
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153 |
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| Additional Documents |
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| Christopher Dobrian, Frédéric Bevilacqua |
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Gestural Control of Music Using the Vicon 8 Motion Capture System |
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161 |
| Kazushi Nishimoto, Chika Oshima, Yohei Miyagawa
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Why Always Versatile?: Dynamically Customizable Musical Instruments Facilitate
Expressive Performances |
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164 |
| Henry Newton-Dunn, Hiroki Nakano, James Gibson
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Block Jam: A Tangible Interface for Interactive Music |
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170 |
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| Poster Session |
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| Sukandar Kartadinata |
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The Gluiph: a Nucleus for Integrated Instruments |
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180 |
| Jean-Michel Couturier, Daniel Arfib |
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Pointing Fingers: Using Multiple Direct Interactions with Visual Objects
to Perform Music |
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184 |
| Eric Singer, Kevin Larke, David Bianciardi |
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LEMUR GuitarBot: MIDI Robotic String Instrument |
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188 |
| Chad Peiper, David Warden, Guy Garnett |
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An Interface for Real-time Classification of Articulations Produced by
Violin Bowing |
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192 |
| Zack Settel, Cort Lippe |
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Convolution Brother's Instrument Design |
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197 |
| Insook Choi |
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A Component Model of Gestural Primitive Throughput |
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201 |
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| Demo I |
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| Cléo Palacio-Quintin |
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The Hyper-Flute |
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206 |
| Jesse Allison, Timothy Place |
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SensorBox: Practical Audio Interface for Gestural Performance |
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208 |
| Kevin C. Baird |
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Multi-Conductor: An Onscreen Polymetrical Conducting and Notation Display
System |
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211 |
| Bill Kleinsasser |
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Dsp.rack: Laptop-based Modular, Programmable Digital Signal Processing
and Mixing for Live Performance |
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213 |
| Mat Laibowitz |
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BASIS: A Genesis in Musical Interfaces |
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216 |
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| Demo II |
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| David Merrill |
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Head-Tracking for Gestural and Continuous Control of Parameterized Audio
Effects |
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218 |
| Eric Singer |
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Sonic Banana: A Novel Bend-Sensor-Based MIDI Controller |
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220 |
| David Muth, Ed Burton |
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Sodaconductor |
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222 |
| Emmanuel Fléty, Marc Sirguy |
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EoBody: a Follow-up to AtoMIC Pro's Technology |
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225 |
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| Invited Papers |
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| Joe Paradiso |
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Dual-Use Technologies for Electronic Music Controllers: A Personal Perspective.
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228 |
| Claude Cadoz, Annie Luciani, Jean-Loup
Florens, Nicolas Castagné |
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ACROE-ICA. Artistic Creation and Computer Interactive Multisensory Simulation
Force Feedback Gesture Transducers |
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235 |
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| Author Index |
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249 |
