Marcelo M. Wanderley (guest editor). “Mapping Strategies in Real-time Computer Music.” Organised Sound, 7(2), August 2002.

Vincent Verfaille. “Des contrôles intelligents pour les effets audionumériques adaptatifs.” In Nayla Farouki (ed.) Les chemins de la découverte, 2006, pp. 59-73.

Stephen McAdams, Philippe Depalle and Eric Clarke. “Analyzing Musical Sound”. In E. Clarke and N. Cook (Eds.), Empirical Musicology: Aims, Methods, Prospects, Oxford University Press, New York, pp. 157-196, 2004.

Marcelo M. Wanderley. “Quantitative Analysis of Non-Obvious Performer Gestures.” In I. Wachsmuth and T. Sowa (eds.) Gesture and Sign Language in Human-Computer Interaction. Springer Verlag, 2002, pp. 241-253.

Marcelo M. Wanderley and Philippe Depalle. “Contrôle Gestuel de la Synthèse Sonore.” In H. Vinet and F. Delalande (eds): Interfaces Homme-Machine et Création Musicale. Paris: Hermès Science Publishing, 1999.

Vincent Verfaille, Marcelo M. Wanderley, and Philippe Depalle. “Mapping Strategies for Gestural and Adaptive Control of Digital Audio Effects.” Journal of New Music Research, 35(1):71-93, 2006.

Doug Van Nort. “Noise/Music and representation systems.” Organised Sound, 11(2): 173-178, 2006.

Marcelo M. Wanderley and Philippe Depalle. “Gestural Control of Sound Synthesis.” Proceedings of the IEEE, vol. 92, No. 4 (April), Special Issue on Engineering and Music - Supervisory Control and Auditory Communication, G. Johannsen, Ed., pp. 632-644, 2004.

Andy Hunt, Marcelo M. Wanderley, and Matt Paradis. “The Importance of Parameter Mapping in Electronic Instrument Design.” Journal of New Music Research, 32(4):429-440, 2003.

Marcelo M. Wanderley and Nicola Orio. “Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI”. Computer Music Journal, 26(3):62-76, 2002.

Andy Hunt and Marcelo M. Wanderley. “Mapping Performer Parameters to Synthesis Engines.” Organised Sound, 7(2):97-108, 2002.

Mathieu Lagrange, Bertrand Scherrer.“Two-Step Modal Identification for Increased Resolution Analysis of Percussive Sounds.“ In Proc. of the 11th Digital Audio Effects Conference, Helsinki, Finland, 2008

Corey Kereliuk, Bertrand Scherrer, Vincent Verfaille, Philippe Depalle and Marcelo M. Wanderley.“Indirect Acquisition of Fingerings of Harmonic Notes on the Flute.“ In Proc. of the 2007 International Computer Music Conference (ICMC'07), Copenhagen, Denmark, 2007.

Doug van Nort and Marcelo M. Wanderley. “The LoM Mapping Toolbox for Max/MSP/Jitter.” In Proc. of the 2006 International Computer Music Conference (ICMC'06), New Orleans, USA, 2006.

Vincent Verfaille, Julien Boissinot, Philippe Depalle, and Marcelo M. Wanderley. “Ssynth: a Real Time Additive Synthesizer With Flexible Control.” In Proc. of the 2006 International Computer Music Conference (ICMC'06), New Orleans, USA, 2006.

D. Van Nort and P. Depalle, “A stochastic state-space phase vocoder for synthesis of roughness,” in Proc. of the Int. Conf. on Digital Audio Effects (DAFx-06), Montreal, Quebec, Canada, Sept. 18–20, 2006, pp. 177–180

V. Verfaille, C. Guastavino, and C. Traube, “An interdisciplinary approach to audio effect classification,” in Proc. of the Int. Conf. on Digital Audio Effects (DAFx-06), Montreal, Quebec, Canada, Sept. 18–20, 2006, pp. 107–113

Vincent Verfaille, Oswald Quek, and Marcelo M. Wanderley. “Sonification of Musician’s Ancillary Gestures.” In Proc. of the 2006 International Conference on Auditory Display (ICAD06), London, England, 2006.

Vincent Verfaille, Catherine Guastavino and Philippe Depalle. “Perceptual Evaluation of Vibrato Models.” In Proc. of the Conference on Interdisciplinary Musicology, Montreal, Canada, 2005.

Caroline Traube and Philippe Depalle. “Phonetic Gestures Underlying Guitar Timbre Description.” In Proc. of International Conference on Music Perception and Cognition Evanston, Illinois, U.S.A., August 3-7, 2004.

Doug Van Nort, Marcelo M. Wanderley and Philippe Depalle. “On the Choice of Mappings based on Geometrical Properties.” In Proc. of the 2004 International Conference on New Interfaces for Musical Expression - NIME04, Hamamatsu, Japan, June 3-5, 2004.

Francois Thibault and Philippe Depalle 2004. “Adaptive Processing of Singing Voice Timbre”. In Proc. of the IEEE Canadian Conference on Electrical and Computer Engineering (CCECE 2004), Niagara Falls, Ontario, Canada, 2004.

Caroline Traube, Peter McCutcheon, and Philippe Depalle. “Verbal Descriptors for the Timbre of the Classical Guitar.” In Proc. of Conference on Interdisciplinary Musicology, Graz, Austria, April 15-18, 2004.

Caroline Traube and Philippe Depalle. “Timbral Analogies Between Vowels and Plucked String Tones.” In Proc. of International Conference on Acoustics, Speech, and Signal Processing Montreal, Quebec, Canada, May 17-21, 2004.

Caroline Traube, Philippe Depalle and Marcelo M. Wanderley. “Indirect Acquisition of Instrumental Gesture Based on Signal, Physical and Perceptual Information.” In Proc. of the 2003 International Conference on New Interfaces for Musical Expression - NIME03, Montreal, Canada, pp. 42-47.

Caroline Traube and Philippe Depalle. “Deriving the Plucking Point Location along a Guitar String from the Least-square Estimation of a Comb Filter Delay.” In Proc. of CCECE 2003, Canadian Conference on Electrical and Computer Engineering, Montreal, Canada, 4-7 mai 2003.

Francois Thibault and Philippe Depalle. “OLW: An Extension to MSP for the Implementation of Overlap-Windowing Techniques”. In Proc. of International Computer Music Conference, Göteborg, Sweden, 2002.

Louise Campbell, Vincent Verfaille, Marie-Julie Chagnon, Oswald Quek, and Marcelo M. Wanderley. “Different Approaches to the Understanding of Expressive Movements of Clarinetists.” Paper presented during the Second Int. Conf. on Music and Gesture, Manchester, July, 2006.

Vincent Verfaille and Marcelo M. Wanderley. “Mapping Strategies for Sound Synthesis, Digital Audio Effects and Sonification of Performer Gestures.” Paper presented during the Acous. Soc. Am. Meeting, Rhodes Island, June 2006.

Vincent Verfaille, Julien Boissinot, Philippe Depalle, and Marcelo M. Wanderley. Ssynth: a real time additive synthesizer with flexible control. In ENACTIVE Workshop, Montreal, May 2006.

Vincent Verfaille, Oswald Quek, and Marcelo M. Wanderley. Sonification of musicians' ancillary gestures. In ENACTIVE Workshop, Montreal, May 2006.