Short Octaves müssen sein!

Ex. 3.1

Ex. 3.1a

Georg Christoph Wagenseil, Divertimento Op. 2 No. 2 (WV 53), third movement, mm. 35–end

side view
http://vimeo.com/100606297
top view
http://vimeo.com/100606298
Harpsichord Anton Leydecker (Vienna, 1755) by Martin Pühringer (Haslach, 2005)  © Tom Beghin 2015

Ex. 3.1b

Wagenseil, Divertimento Op. 2 No. 6 (WV 33), first movement, mm.89–end

side view
http://vimeo.com/100606299
top view
http://vimeo.com/100606300
Harpsichord Anton Leydecker (Vienna, 1755) by Martin Pühringer (Haslach, 2005)  © Tom Beghin 2015

Ex. 3.1c

Wagenseil, Divertimento Op. 2 No. 6 (WV 33), third movement, mm. 13–end

side view
http://vimeo.com/100606393
top view
http://vimeo.com/100610848
Harpsichord Anton Leydecker (Vienna, 1755) by Martin Pühringer (Haslach, 2005)  © Tom Beghin 2015

Ex. 3.1d

Johann Joseph Fux, Suite (“Parthie”) in G Minor (E 117), first movement, mm.9–10

side view
http://vimeo.com/100610850
top view
http://vimeo.com/100610851
Harpsichord Anton Leydecker (Vienna, 1755) by Martin Pühringer (Haslach, 2005)  © Tom Beghin 2015

Ex. 3.2

Ex. 3.2a

Sonata in E Minor, Hob. XVI:47, first movement (Adagio), mm. 1–12

side view
http://vimeo.com/100610852
top view
http://vimeo.com/100610853
Harpsichord Anton Leydecker (Vienna, 1755) by Martin Pühringer (Haslach, 2005). © Tom Beghin 2015

Ex. 3.2b

Variations in A Major, Hob. XVII:2

Var. VI, mm. 97–104
side view 1
http://vimeo.com/100611175
side view 2
http://vimeo.com/100611176
top view
http://vimeo.com/100611177
Harpsichord Anton Leydecker (Vienna, 1755) by Martin Pühringer (Haslach, 2005)  © Tom Beghin 2015
Var. IX, mm. 145–148
side view
http://vimeo.com/100611173
top view
http://vimeo.com/100611174
Harpsichord Anton Leydecker (Vienna, 1755) by Martin Pühringer (Haslach, 2005)  © Tom Beghin 2015
Var. X, mm.161–164
side view
http://vimeo.com/100611327
top view
http://vimeo.com/100611328
Harpsichord Anton Leydecker (Vienna, 1755) by Martin Pühringer (Haslach, 2005)  © Tom Beghin 2015
Var. XI, mm. 177–184
side view
http://vimeo.com/100611329
top view
http://vimeo.com/100611331
Harpsichord Anton Leydecker (Vienna, 1755) by Martin Pühringer (Haslach, 2005)  © Tom Beghin 2015
Var. XX, mm. 321–324
side view
http://vimeo.com/100611333
top view
http://vimeo.com/100611626
Harpsichord Anton Leydecker (Vienna, 1755) by Martin Pühringer (Haslach, 2005)  © Tom Beghin 2015

Ex. 3.2.c

Sonata in A Major, Hob. XVI:12, first movement, mm. 21–24

side view
http://vimeo.com/100611629
top view
http://vimeo.com/100611631
Harpsichord Anton Leydecker (Vienna, 1755) by Martin Pühringer (Haslach, 2005)  © Tom Beghin 2015

Ex. 3.2.d

Sonata in A-flat Major, Hob. XVI:46, third movement, mm. 72–78

side view 1
http://vimeo.com/100611634
side view 2
http://vimeo.com/100611744
top view
http://vimeo.com/100611745
Harpsichord Anton Leydecker (Vienna, 1755) by Martin Pühringer (Haslach, 2005)  © Tom Beghin 2015

Fig. 3.2

Initial stumbling in the Capriccio “Acht Sauschneider müssen seyn,” Hob. XVII:1, mm. 247–275

http://vimeo.com/100611747
Harpsichord Anton Leydecker (Vienna, 1755) by Martin Pühringer (Haslach, 2005)  © Tom Beghin 2015

Ex. 3.4-15

Capriccio “Acht Sauschneider müssen seyn,” Hob. XVII:1: complete performance

without commentary
https://vimeo.com/126937288
with commentary (spoken by the author/performer)
http://vimeo.com/101303748
Video by Jeremy Tusz. Harpsichord Anton Leydecker (Vienna, 1755) by Martin Pühringer (Haslach, 2005)  © Tom Beghin 2009/2011

Ex. 3.16

Gili Loftus (“pupil”) and Tom Beghin (“master”) play Haydn’s Divertimento “Il maestro e lo scolare,” Hob. XVIIa:1

https://vimeo.com/120160762 Video by Jonathan Hong. Recorded July 2012. Harpsichord Anton Leydecker (Vienna, 1755) by Martin Pühringer (Haslach, 2005) © Tom Beghin 2015

Bonus

Thomas Pohl reads from “Yet again Hanswurst embarks on a hopeless journey in Schwaben, and what happens to him, is explained in detail,” fifth episode of Prehauser oder der Wienerische Hannßwurst nebst lustige Reysebeschreibungen aus Salzburg in verschiedene Länder (Stranitzky [1760s], 38-41)

Recorded by Ulrich Eckert, Linz, June 17, 2012  © Tom Beghin 2015