References

J. Backus.
Input impedance curves for the reed woodwind instruments.
Journal of the Acoustical Society of America, 56 (4): 1266-1279, Oct. 1974.

A. H. Benade.
On woodwind instrument bores.
Journal of the Acoustical Society of America, 31 (2): 137-146, Feb. 1959.

A. H. Benade.
On woodwind instrument bores.
In E. L. Kent, editor, Musical Acoustics: Piano and Wind Instruments, volume 9 of Benchmark Papers in Acoustics, pages 274-283. Dowden, Hutchinson, and Ross, 1977.
Reprint of original article with corrections regarding the calculation of input impedance resonance frequencies.

R. Caussé, J. Kergomard, and X. Lurton.
Input impedance of brass musical instruments-comparison between experiment and numerical models.
Journal of the Acoustical Society of America, 75 (1): 241-254, Jan. 1984.

N. H. Fletcher and T. D. Rossing.
The Physics of Musical Instruments.
Springer-Verlag, New York, 1991.

D. H. Keefe.
Woodwind Tone-hole Acoustics and the Spectrum Transformation Function.
PhD thesis, Case Western Reserve University, 1981.

J. L. Kelly, Jr. and C. C. Lochbaum.
Speech synthesis.
In Proceedings of the Fourth International Congress on Acoustics, pages 1-4, Copenhagen, Denmark, Sept. 1962.
Paper G42.

J. D. Markel and A. H. Gray.
Linear Prediction of Speech.
Springer-Verlag, New York, 1976.

P. M. Morse.
Vibration and Sound.
American Institute of Physics, for the Acoustical Society of America, 1981.
(1st ed. 1936, 2nd ed. 1948).

G. R. Plitnik and W. J. Strong.
Numerical method for calculating input impedances of the oboe.
Journal of the Acoustical Society of America, 65 (3): 816-825, Mar. 1979.

G. R. Putland.
Every one-parameter acoustic field obeys Webster's Horn Equation.
Journal of the Audio Engineering Society, 41 (6): 435-451, June 1993.

J. O. Smith.
Music applications of digital waveguides.
Technical Report STAN-M-39, CCRMA, Music Department, Stanford University, 1987.
A compendium containing four related papers and presentation overheads on digital waveguide reverberation, synthesis, and filtering.



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