Synthesis Theory - Chapter 4
Sampling and Additive Synthesis
- Sampling Synthesis
- Musique Concrete and Sampling Background
- Looping
- Pitch Shifting
- Sample-rate Conversion without Pitch Shifting
- Problem in Resampling
- Data Reduction and Data Compression in Samplers
- Data Reduction
- Data Compression
- Sample Libraries
- An Assessment of Samplers
- Modeling Note-to-note Transitions
- Additive Synthesis
- Additive Synthesis: Background
- Fixed-waveform Additive Synthesis
- The Phase Factor
- Addition of Partials
- Time-varying Additive Synthesis
- Demands of Additive Synthesis
- Source of Control Data for Additive Synthesis
- Additive Analysis/Resynthesis
- Musical Applications of Additive Analysis/Resynthesis
- Method of Sound Analysis for Additive Synthesis
- Data Reduction in Analysis/Resynthesis
- Line-segment Approximation
- Principle Component Analysis
- Spectral Interpolation Synthesis
- Spectral Modeling Synthesis
- Walsh Function Synthesis
Csound Example
Score file
Orchestra file
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