Stephen Sinclair, Jean-Loup Florens and Marcelo M. Wanderley. A Haptic Simulator for Gestural Interaction with the Bowed String. In Proceedings of the Congrès Français d’Acoustique (CFA), Lyon, France, 2010.

Stephen Sinclair, Gary Scavone and Marcelo M. Wanderley. Audio-Haptic Interaction with the Digital Waveguide Bowed String. In Proceedings of the International Computer Music Conference (ICMC), pp. 275-278, Montreal, Qc., Canada, 2009.

Mark Zadel, Stephen Sinclair and Marcelo M. Wanderley. Haptic feedback for Different Strokes using DIMPLE. In Proceedings of the International Computer Music Conference (ICMC), pp. 291-294, Montreal, Qc., Canada, 2009.

Erwin Schoonderwaldt, Stephen Sinclair, and Marcelo M. Wanderley. Why do we need 5-DOF haptics? The case of violin bowing. Proceedings of the ENACTIVE '07 Conference, Grenoble, France. Nov. 2007.

Stephen Sinclair and Marcelo M. Wanderley. Extending DIMPLE: a Rigid Body Simulator for Interactive Control of Sound. Proceedings of the ENACTIVE'07 Conference, Grenoble, France, Nov. 2007.

Stephen Sinclair. Force-Feedback Hand Controllers for Musical Interaction, M.A. thesis, McGill University. August 2007.

Joseph Malloch, Stephen Sinclair, and Marcelo M. Wanderley. From controller to sound: Tools for collaborative development of digital musical instruments. Proceedings of the 2007 International Computer Music Conference, Copenhagen, Denmark.

S. Sinclair, Marcelo M. Wanderley|M. Wanderley. 2007. Using PureData to control a haptically-enabled virtual environment. PureData convention 2007, Montreal.

S. Sinclair, Marcelo M. Wanderley|M. Wanderley. 2007. Defining a control standard for easily integrating haptic virtual environments with existing audio/visual systems. Proc. of the 2007 Conference on New Interfaces for Musical Expression (NIME).

S. Sinclair, M. Droettboom, I. Fujinaga. 2006. Lilypond for pyScore: Approaching a universal translator for music notation. ISMIR 2006, Victoria, BC.