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Publications
Stephen Sinclair,
Jean-Loup Florens
and
Marcelo M. Wanderley
.
A Haptic Simulator for Gestural Interaction with the Bowed String
. In Proceedings of the Congrès Français d’Acoustique (CFA), Lyon, France, 2010.
Stephen Sinclair,
Gary Scavone
and
Marcelo M. Wanderley
.
Audio-Haptic Interaction with the Digital Waveguide Bowed String
. In Proceedings of the International Computer Music Conference (ICMC), pp. 275-278, Montreal, Qc., Canada, 2009.
Mark Zadel
, Stephen Sinclair and
Marcelo M. Wanderley
.
Haptic feedback for Different Strokes using DIMPLE
. In Proceedings of the International Computer Music Conference (ICMC), pp. 291-294, Montreal, Qc., Canada, 2009.
Erwin Schoonderwaldt
, Stephen Sinclair, and
Marcelo M. Wanderley
.
Why do we need 5-DOF haptics? The case of violin bowing.
Proceedings of the ENACTIVE '07 Conference, Grenoble, France. Nov. 2007.
Stephen Sinclair and
Marcelo M. Wanderley
.
Extending DIMPLE: a Rigid Body Simulator for Interactive Control of Sound.
Proceedings of the ENACTIVE'07 Conference, Grenoble, France, Nov. 2007.
Stephen Sinclair.
Force-Feedback Hand Controllers for Musical Interaction
, M.A. thesis, McGill University. August 2007.
Joseph Malloch
, Stephen Sinclair, and
Marcelo M. Wanderley
.
From controller to sound: Tools for collaborative development of digital musical instruments.
Proceedings of the
2007 International Computer Music Conference
, Copenhagen, Denmark.
S. Sinclair,
Marcelo M. Wanderley|M. Wanderley
. 2007.
Using PureData to control a haptically-enabled virtual environment.
PureData convention 2007
, Montreal.
S. Sinclair,
Marcelo M. Wanderley|M. Wanderley
. 2007.
Defining a control standard for easily integrating haptic virtual environments with existing audio/visual systems.
Proc. of the 2007 Conference on New Interfaces for Musical Expression (
NIME
).
S. Sinclair,
M. Droettboom
,
I. Fujinaga
. 2006.
Lilypond for pyScore: Approaching a universal translator for music notation.
ISMIR 2006, Victoria, BC.