Analyzing Classical Form

CHAPTER

Sonata Form

Let's Practice 9.8

Mozart, Piano Sonata in G, K. 283

second movement, 15–24 (R=½N)

middle of m. 16; two measures; no, only the first half is sequenced, after which fragmentation ensues
end of m. 23; yes; the submediant region (VI), by a HC on the downbeat of m. 22
yes; standing on the dominant (of the supertonic)
it does not return to the home key; the dominant of VI moves directly to tonic of the home key at the beginning of the recapitulation (m. 24)