within a musical composition. All of these formal functions are thoroughly investigated and refined in order to determine their essential characteristics and how they interact with each other to create a variety of formal designs. Along the way, a host of concepts associated with harmony, tonality, and cadence are introduced and examined.

Classical Form features over 200 annotated musical examples drawn from a range of instrumental genres. These examples illustrate the theoretical principles presented in the book and serve as models for further analysis. Written for theorists, musicologists, and composers, the book is also useful for courses on formal and analysis and on the history of musical style.

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"This ambitious book offers nothing less than a new theory of form for the music of the Classical period....In its combination of scholarship, musicality and sheer common sense, Caplin's Classical Form is a major achievement by any standards....it should be read by anybody who teaches, studies or writes about this music"—Music and Letters.

"It is no exaggeration to say that [Classical Form] is one of the most important books on musical form to appear in the twentieth century....His book is an important and impressive statement that no theorist or musicologist can afford to ignore"—Music Theory Spectrum.

"...a compilation of intriguing examples illustrating classical design and function, an up-to-date bibliographical guide, and a source of fresh insight into the accomplishments of the classical masters. Caplin's approach, buttressed by methodological rigor and theoretical detail, makes a persuasive case for the revival of Formenlehre as a pedagogical tool and analytical discipline"—Music Theory Online.