William Caplin’s Website
News and Upcoming Events
(2016–2023)
October 6, 2023: my new book Cadence: A Study of Closure in Tonal Music entered into production at Oxford University Press.
March, 2023: appointed Distinguished James McGill Professor Emeritus.
June 7, 2003: awarded the McGill University Medal for Exceptional Academic Achievement; see here for additional information.
November 11, 2022: session chair, “Phrase Structures,” Annual Meeting of the Society for Music Theory, Theory, New Orleans, Louisiana.
September 1, 2022: retirement from the Schulich School of Music, McGill University. During retirement I plan to continue active research in music theory.
September 2021: online paper presentation, "The 'Iconic Cadence': A Post-Romantic Case of Cadential Nostalgia and Irony," at Euromac-10 in Moscow.
November 8, 2020: session chair, “The Period and Cyclic Form in the Nineteenth Century,” at the Virtual Annual Meeting of the Society for Music Theory.
September 2020–August 2021: on sabbatic leave.
February, 2020: launch of a new iPhone app (developed by Mayank Sanganaria) for accessing graphics and sound from the Analyzing Classical Form website.
November 11, 2019: Podcast interview on the Nikhil Hogan Show.
November 3, 2018: What Is a Cadence? (Markus Neuwirth andPieter Bergé, eds.) awarded the “Outstanding Multi-Authored Publication" from the Society for Music Theory. My study "Harmony and Cadence in Gjerdingen’s ‘Prinner’" is the opening chapter of this book.
May 11–14, 2018: workshops on form and cadence, at the Royal Conservatoire in The Hague, Netherlands.
April 16–20, 2018: Housewright Scholar, Florida State University, School of Music; I will present a public lecture, hold workshops, attend classes, and meet with students individually.
November 2, 2017: presented a “Personal Reminiscence" at the SMT 40th Celebration, Annual Meeting, Society for Music Theory, Arlington, Virginia.
July 28, 2017: paper presentation (in absentia) “The ‘Reopened’Half Cadence: A Striking Cadential Anomaly," at the 9th European Music Analysis Conference, Strasbourg, France (paper read by Nathan Martin).
February 11, 2017: workshop, “The Finale of Beethoven’s Ninth Symphony: Its Form Reexamined,” at the conference “Form Forum III: ‘Romantic Form’ and Beyond,” University of Toronto.
November 4, 2016: session chair, "Frames, Fantasia, and Formal Functions,” Annual Meeting of the Society for Music Theory, Vancouver, British Columbia.
January 8, 2016: book launch of Festschrift publication, Formal Functions in Perspective: Essays on Musical Form from Haydn to Adorno (eds. Steven Vande Moortele, Julie Pedneault, and Nathan John Martin), at the Marvin Duchow Music Library, Schulich School of Music.
© WILLIAM CAPLIN 2023