Gary's Compositions
Pipe Dream (2003) for custom MIDI wind controller and realtime computer synthesis
Pipe Dream is the second in a set of compositions exploring subtle wind instrument overblowing effects. In this work, all sounds are generated using real-time computer-based saxophone-like physical modeling algorithms implemented with the Synthesis ToolKit in C++. The algorithms are performed with a new MIDI wind controller called The Pipe. The controller makes use of a variety of sensors, including buttons, potentiometers, and accelerometers which respond to breath pressure, finger pressure and tilt. Spatialization effects in a four-channel sound environment are created through various panning strategies.
Performances:
- CCRMA, 9 May 2003 (premiere)
- CNMAT, 11 May 2003
- McGill University, 23 May 2003
Air Study I (2002) for alto saxophone and stereo tape
This work is an exploration of subtle overblowing effects using two virtual "blowed string" physical models and a live saxophonist. The physical model algorithms were created and controlled using the Synthesis ToolKit in C++, a software environment by Perry Cook and Gary Scavone.
The saxophonist in Air Study I fingers a low B-flat for the entire piece (clamps may be desirable)1. The pitch/timbre variations are completely controlled via embouchure and oral cavity manipulations.
The tape part for Air Study I was generated with two independent physical models, each assigned to a single stereo track. Phasing effects were created by slight variations in vibrato rates and pitches. Overblowing effects were controlled via reed and breath pressure parameters.
- Air Study I performed by Gary Scavone (2002) [51 second excerpt, 823 KB mp3]
1An alto saxophone body without holes was used for the premiere of Air Study I on 25 July 2002. Gary expresses his sincerest gratitude to The Selmer Company and Tom Burzycki for their donation of this instrument.